New Collage November #2 Progress - Continued on my new site One Child's Icon

Day 2 Morning

Petals for underwater section

Day 3 Morning

Day 4 Morning

Day 6 Morning

Day 4 detail

Day 6 Detail

One Hundred

The grizzled old Nashville song writer chastised the audience “You’ll never be a songwriter by writing two songs a year.” It was one of those events I was paid to be a technical baby sitter. My job was to be there in case something went wrong. We were in a cozy hotel ballroom and chances of disaster at the “Song Writers Symposium” were remote in the extreme. Being devoted to my paycheck, however, I sat behind the lighting console reading a book until this guy in his 2 pack a day gravel baritone started talking.  “You want to write the perfect song, but if the song don’t flow when you’re writing it, it won’t flow when someone’s singing it.” He had my attention. “I set my sights on writing one hundred songs. The first few dozen were junk, but I got better and I didn’t give up. I got better and faster at the same time. Number ninety eight got recorded. Number ninety nine made it to the top forty on the Country charts which at the time meant I could afford to buy a new car. Number  one  hundred made it to number five on the charts and after that I quit my job to write songs full time.  It took me a little short of three years. You have to let go of a song sometime.  Once someone sings it on a record it ain’t yours no more anyway”. I’m sure the lawyers that had the stage later that day would have argued that last point. I was reading intently by then and never heard a word they had to say. 

When a friend told me that something in one of my posts helped her at a time she really needed help, I was taken a little aback. I write for myself.  In many ways it is purgative. It is like placing troubles on a leaf and letting them float down the river. The Songwriter’s words came back to me, however, when I noticed I had passed 40 posts. My writing was getting better. At the same time, I was posting more often.  It hurts now to go back and look at my early things. I had wanted to write about things important to me, but my thoughts, while clear in my head, where incoherent on the page.   There are so many things I want to say but I still lack the ability. Perhaps after 50 more posts the words will flow, perhaps sing.

The confidence my progression as a writer has given me has inspired me to again follow the path I set out on when I was 17. I will be an Artist. I have decided to produce 100 Water Lilly Icons. I will not dally. I have set a goal of producing one every two weeks.  It is enough time to be creative but not enough to ponder. I must paint, not think. I must trust my instincts, accept accidents and use them in my composition. It has become a great lesson in loving life, as it flows. 

One Child's Icon

It was my wife Rowena that taught me. The bread in the Priest’s hands is not a symbol of the body of Christ. It is the body of Christ. The wine is the blood of Christ.  An icon offers the same chance for communion. The young girl at the Gates of Dawn in Vilnius does more than view an artifact. She becomes part of its history, the history of the church that kept this image for centuries and the community that has protected the church. She participates in the embodiment of a young Palestinian girl in fear for her life and the life of her newborn child fleeing a great evil. She becomes part of an ongoing act of creation; the ethereal eternal life of the meaning of Faith.

Whether it is the story of the Last Supper, the Ghost Dance of the First Nations, the  Sufi Sama or the Silver Madonna each culture offers communion.  A transcendent and epiphanic experience that embodies a larger understanding. But it is always a work of art that is the point of contact, the navel from which Vishnu’s lotus springs. In Eastern cultures the Lotus represents many important concepts and appears in countless images and sculptures. One image pervasive to  Hinduism is Vishnu in repose, Lakshmi at his feet, as he dreams the Universe. A lotus grows from his navel and within the lotus is Brahma, the creator.  Everywhere the Buddha steps a lotus  flower blooms. The opening petals embody the expansion of the soul. It embodies the ascension of the spirit from the earthly depths to the light of Heaven, the spirit that cannot be blemished.

It was the holy book “Outdoor Life Magazine” that led me.  “Lunker Largemouth Lurk Beneath the Lily Pads” proclaimed the cover that featured a Bass with a feathered jig in its mouth soaring above a water lily. It looked just like the five pounder that hung on my friend's wall, and if there was anything my twelve-year-old self wanted it was a stuffed fish I could call my own. I knew just where to go. The east shore of City Lake was covered with Lily pads, completely covered. There was not an opening for my cast much larger than a truck tire and it was nearly impossible to reel in the lure without snagging the pads' long underwater stems.  I decided to try the old standby of bait and bobber. But as it turns out the promised bass were not fond of this combo and I would spend many fishless hours watching the red and white plastic orb float motionlessly. Eventually I left the rod and reel at home and spent the days at the water’s edge amongst the enormous purple, pink and white flowers in solitude

This was my first Aesthetic experience. Something I chose for myself that had no desired outcome save its own existence.  It is here that I learned about the bond of beauty and silence.  I came because those two things dwelled there. I told no one, not even my family, of this. I didn’t know how.  In college I tried. Our Eastern Art class spent a couple of days on the symbolism of the lotus. I found it quite exciting that half the world found significance in the same thing I did. But my understanding of the lotus was very different from the text and since my ideas wouldn’t be on the test they were greeted with a profound blank stare by the circle of friends that study grouped Art History 205.

As an artist I don’t just want to make pretty pictures; I want to give. And if I were to give you anything it would be the experience of being a young boy learning how beautiful the world is. How beautiful he is. We would follow the Tao down to the low places that most avoid and although we would walk through mud to get there, we would not be blemished. We would be there to witness the expansion of his soul. We would travel Vishnu’s universe together. We would never leave this place.

Until I can offer this experience, I will offer you its familiar. I will take paper and ink and paint and whatever else helps me find the image that I have held dear for four decades. I will bind all these things together. I will offer you One Child’s Icon.